AROMATUM

Jun 26, 2017

To Japan, for Sansho


I'm here in the shop on a Sunday afternoon, listening to Al Green and watching a bout of rain brush the sidewalks with moisture. It's distinctly summer now, and I am reflecting on how I started this season in Japan, just as the lilacs finished blooming here in Boston. Mark and I travelled there together for a little over a week earlier this June, and it still glows in my memory with a kind of shimmering green light and a distinctly fresh and different flavor.



Towards the end of our trip we made our way from Kyoto to Koya San, a temple town high in the mountains of the Wakayame Prefecture in the South East of the country where we wanted to stop along the way. Wakayame is known for its agriculture, and indeed on our way to the famous temples of Koya San we drove through a valley overflowing with persimmon groves, but our main destination in the province was neither persimmons nor Buddhist temples but a tiny sansho pepper farm.

I can't recall where or when I first learned about sansho, but it's been on my mind for the last five years.

How do I describe the feeling of finally stepping foot on the farm and seeing a sansho pepper tree? My heart fluttered like I'd just met a favorite celebrity. In general, seeing a spice in its native habitat (especially rare ones, like sansho) is so thrilling I can only imagine it's something like a biologist traveling by boat to a specific section of ocean, donning the appropriate gear and then diving in to spy a favorite species of fish.

But instead of diving underwater we ventured down a narrow winding road that traced a river and dove through long tunnels carved through mountains. Already we'd gotten lost and had to call the interpreter we'd hired, Yoshi, who was meeting us at the farm. We finally found Yoshi on the side of the road, waiting for us in his black Nissan and he nobly led us the rest of the way to the farm. Upon arriving, we were both so relieved that we'd made it (and not too late!) that I barely noticed the small crowd that had assembled along the side of the farmhouse. After we made introductions Yoshi turned to us to ask if it'd be alright if our visit was filmed for a local TV show, oh and also there is a newspaper reporter who'd like to conduct an interview.

Needless to say it was quite the event, and made me feel so honored that our visit from America was considered so special, since every trip to origin I make is incredibly important and often I'm not sure how the other party feels. (Do they care? Am I wasting their time?) In this case, the good feelings were mutual and I hope to post some clips from the news show in a few weeks.





We visited the farm on the early side of the harvest, when the fruit was just beginning to ripen. After the initial formalities were out of the way the first thing we did was climb a small hill next to the family rice paddy and pluck a few sansho berries to taste, fresh from the tree. Immediately I tasted the rush of lemon notes, a zingy, pungent brightness (almost like raw rhubarb) followed by the familiar buzz or what Harold McGee describes as "the effect of a mild electrical current." (see p. 429 On Food and Cooking) We then walked up to the main field, the farmer in his white muck boots with me and Yoshi by his side, followed by my husband Mark, busy snapping photos, followed by the camera crew, a local friend named John who was half Japanese half American (another interpreter, yay!) and the farmer's wife. The field was flat because it used to be a rice paddy, and it was filled with the small shrubby sansho trees that had been maturing for ten years before starting to bear fruit. Ten years to start producing! That's just one reason this spice is so expensive.


We were surrounded by gorgeous green mountains, and the sun beat down on us as we chatted (slowly, since it was through interpreters) and there was much picture-taking. Eventually we made our way back to the farm house, which doubled as a small café and shop where they sold value-added products like sansho jelly and their own version of Shichimi Togarashi (7 spice) that is the most common blend that uses sansho. The farmer's wife made us tall glasses of ice water into which she'd mixed a spoonful of sansho jelly in place of a piece of lemon. She then served us slices of Camembert cheese (perhaps the only cheese we ate on the trip) dusted with bright green ground sansho.


Sansho pepper, with its lemony flavor, is most often paired with rich, oily foods, such as unagi (eel) or in this case with rich dairy products. I learned that some European chefs who have begun importing the spice are using it in desserts, because of the bright, perfumy aromatics and the entertaining effect on the tongue. The TV producer asked me what I expected Americans to use it on, and I said fish, maybe noodles. I still wonder if he wanted me to say something surprising, like "on burgers!" But I had trouble expressing the fact that many Americans, including myself, simply crave the distinct flavors of Japan.

The visit concluded with my purchase of the sansho pepper, during which time I also mentioned what a hard time I was having finding good yuzu peel to use as a spice. Yuzu is a popular citrus fruit in Japan - it looks like a lemon but is related to a pomelo - and it is famous for its gorgeous floral aroma, not so unlike Meyer lemon but with more intensity.  It turned out they grew that, too, and not only that but they were one of the few producers in the country who made a highly aromatic version with no pith (the bitter, white part that is between the peel and the fruit).



Why sansho was growing here in the Wakayama prefecture no one was sure, but the farmer said rumors were that it had been brought here by a monk in the year 900, and was prized for its medicinal, digestive properties. Even though Mark and I had visited several temples, including staying overnight in one where we woke at 5AM to attend the traditional morning prayer service, I felt most at peace and most connected to the planet while on the farm. Maybe it was the smiles of the farmer and his wife, maybe it was the rumple of green hills or the sun slanting across the rice paddies, but this religious experience was definitely spice-induced.


About Sansho pepper:

Sansho pepper is a relative of sichuan pepper, so not a true member of the black pepper family (Piper sp.) but rather a berry that belongs to a branch of the citrus family, called Zanthoxylum. These trees are often called 'prickly ash' and some members of the family (there are 250 or so) are used for bonsai. The spice bearing members of the family produce a fruit whose seed pod is valued for the buzzing, numbing, tingly effervescent taste that it creates. It's the husk of the seed pod, not the seed itself that's valued; the seed creates a sandy texture when used in cooking. The reason it's called sansho is that the molecule responsible for that numbing effect is called "sanshool" and is actually related to the hot sensation you get from black pepper (piperine) as well as chile peppers (capsaicin).

Sansho (Zanthoxylum piperitum) is different from sichuan (Zanthoxylum simulans) primarily for its distinct lemon flavor, like fresh lemon rind. Its main harvest is in the summer, when the seed pods are ripe but still a bright green, and it's dried very slowly in dehydrators. Sichuan on the other hand is usually harvested later in the season and dried in the sun so it turns brown (or reddish-brown) and has a more roasted flavor.

Usage:

The most common appearance of sansho is in the popular spice blend 'shichimi togarashi' or Japanese 7 spice, used as a table seasoning throughout Japan for anything from ramen to sushi. It's used on its own to season grilled eel (which is quite oily and rich) but it can also be used on rice salads, green summer salads, soba or rice noodles, grilled salmon, grilled mushrooms and more!

Recipes coming soon. 

May 29, 2017

Spinning the Wheel of Flavor


Seven years ago I packed a large suitcase full of specialty glassware, napkins and floral tape and flew to Anaheim, California. I didn't want to go but my dad persuaded me, telling me even if I didn't win that "it was all part of the adventure." And no, I didn't win (or even come close), but it was an adventure, and it has changed the way I think about flavor.
Saffron and water on paper

My presentation was ok. I told a story about the origin of processing plants for human consumption, creating alchemy with a plant's volatile oils to delight our taste buds - but my espresso shot out of the machine in an embarrassing manner and the cappuccinos were thin without a trace of art. Yes this was the U.S. National Barista Championship with fifty of the country's best baristas, and no, I didn't nail it.

But, I did study my butt off. My bosses helped me practice after hours,  and I poured over the coffee taster's flavor wheel with caffeinated intensity, honing my sensory skills so that each adjective matched what (hopefully) I might deliver in the cup. Notes of jasmine with an undertone of salted caramel was the goal. A woody aroma with bitter aftertaste the result.

Spice wheel painting

For those who haven't seen one, a barista competition involves preparing twelve drinks in fifteen minutes: 4 espresso, 4 cappuccino and 4 original "signature" beverages using your chosen espresso blend. They all have to be in different serving ware, narrated according to your theme or story, and delivered flawlessly with compelling and original knowledge of specialty coffee. Each barista is judged by four sensory judges and three technical judges who swarm around you with clipboards, scribbling down your destiny. If you win your country's competition, you go to compete in the world championship.

The flavor wheel is not just used for coffee. There are flavor wheels for cheese, wine, perfume, chocolate, even cigars. It's a way of illustrating with colors and describing with words the diversity of aromas that exist for a particular edible (or sniffable) thing. It creates a lexicon that anyone can use to delve deeper into the senses. Since our taste buds can only distinguish sweet, salty, sour, bitter and umami, it's a way to understand the nuances and complexity of flavors for which our olfactory system was designed.

My initial sketches for the spice flavor wheel

Flavors can be broken down into chemical compounds with structures that can be imitated in a lab; for example a compound called eugenol creates the dominant flavor in cloves and the lesser-known flavor in sweet basil. Isolating these compounds means that they can be used to create artificial flavors instead of having to use the real plant; imitation vanilla is the most famous. And while I certainly appreciate the consistency of artificial flavors - I'm not a purist, I eat junk food sometimes - it's the delicate nuances that can't be re-created that give food the most meaning and memory. The placement of the spices on the wheel is according to my interpretation - not to science - but science plays a role.

So what is the flavor wheel for? If you think of it as a map, the wheel can be a useful tool to see the relationships between spices. For example, black pepper and chile peppers are in the same neighborhood (and both confusingly called 'peppers,' thanks to Chris Columbus) because they produce a hot sensation in your mouth. Woody spices like juniper, with its piney notes, are near to resinous spices like mastic because resin spices are the sap of certain species of trees.

The colors reflect common associations with the senses - red for hot, green for vegetal, brown for earthy. One difference from other flavor wheels is the blurring from one color to the next. I don't believe in there being strict boundaries for flavor, despite being able to isolate them in a lab. The blurring of the watercolor paint pigments exhibits the same blurring of one flavor to the next - the warm, pungent notes of mustard into the aromatic heat of ginger. It's not a how-to manual but I think a flavor wheel can be a really fun tool when used with an open mind and sense of creativity.



I'm offering a new class at Curio this June called "Spice101" where I go into these ideas in more detail, with plenty of tasting and smelling. There will be a bit of history and a bit of science but more than anything a focus on demystifying spices and igniting inspiration for cooking. It will be a colorful and delicious class. In the meantime, tip those hard-working baristas, and let me know what you think about this new flavor wheel!

Feb 28, 2017

Madagascar


The country is still a blur of scents and colors that fills my head. The scents remain vivid in my memory—the steamy perfume of ylang ylang blossoms through the taxi window as we rattle down a dark bumpy road, the sweet fragrance of cured vanilla beans that's so thick and heady that I crouch down as though to tie my shoe, too dizzy to stand.


Dec 28, 2016

Heat to last the winter from Meggie's Farm


It seems fitting that Kris and John Maguire were in the jewelry business before they started growing peppers. They started the farm after retiring from their family-run jewelry business and since then have been cultivating at least fifteen varieties of peppers (amongst other unique veggies), many of which they dry and process into delicious ground spices. The farm is named Meggie's after their eldest granddaughter.

Sep 16, 2016

September Postcards


Owls Head, Maine


Dear August,

Thanks for the rose hips. I am glad I found an old zip-lock bag on the beach so that I could a) recycle it and b) use it to collect rose hips. It's September now and I am still in the process of making the darn jam, but it's going to taste great, especially with a touch of Madagascar vanilla bean. Rose hips are full of vitamin C which will help once the inevitable winter head-cold hits. I already miss you, since you're my favorite month of the summer, but October is pretty great, too.

Love!
Claire


New Orleans, Louisiana